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Haevan Lee

  • ABOUT
  • Works
  • Exhibitions
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  • ABOUT


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    Haevan Lee

     

    Born and raised near the DMZ in Cheorwon, Gangwon-do, Haevan Lee (b. 1990) lives and works between Korea and the Netherlands. Through painting, installation, and video, she transforms militarized borderlands into immersive landscape environments where geopolitical fracture seeps into space, sensation, and the body. Moving between psychological terrain and lived geography, Lee approaches the border not as a fixed line of separation, but as a perceptual condition.

     

    Emerging from Lee’s research into the “buffer zone”—a territory suspended between separation and contact—the Battleground series unfolds through pastel-hued terrains poised between pastoral reverie and latent unease, where organic forms, fragmented bodily traces, and symbols recalling military markings drift across the surface, dissolving distinctions between landscape, memory, and corporeality. Extending beyond the pictorial frame into installation, her works transform into fluid spatial environments in which softness and threat, intimacy and surveillance, remain in quiet tension. For Lee, the buffer zone appears less as a site of division than as a living threshold where vulnerability, instability, and transformation continually converge.

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    Lee received her BFA in Oriental Painting from Sungkyunkwan University and her MFA in Artistic Research from the Royal Academy of Art, The Hague in the Netherlands. Her major solo exhibitions include Kumho Museum of Art (Seoul, 2025), Insa Art Space (Seoul, 2024), Bradwolff Projects (Netherlands, 2024), Gallery Lux (Seoul, 2020), and Peace Culture Bunker (Seoul, 2018). Selected group exhibitions include Museum Arnhem, (Netherlands, 2025), G Gallery (Seoul, 2025), Stroom Den Haag (Netherlands, 2024), Eurocenter (Netherlands, 2023), Marres (Netherlands, 2022), Omstand (Netherlands, 2022), NEST (Netherlands, 2022), De Helena (Netherlands, 2021), Culture Station Seoul 284 (Seoul, 2021), Quartair (Netherlands, 2021), Palacio de la Autonomía (Mexico City, 2020), and Bangkok Art Biennale (Thailand, 2020). She is scheduled to participate in the Delfina Foundation Residency (London) in September 2026 and has participated in residencies including the MMCA Residency (Korea, 2025), Artist in Retreat Residency (Sweden, 2021), and the Peace Culture Bunker Residency (Seoul). Lee’s work is held in the collections of the Government Art Bank, National Museum of Modern and Contemporary Art, Korea and Hana Bank, Korea.

  • WORKS


  • Haevan Lee. Battleground Group III: Figments of melancholic soil, 2024.  Installation View, Battleground, Bradwolff Projects, Amsterdam, 2024 (Larger version of this image opens in a popup).
    Haevan Lee  Battleground, 2023  Oil, acrylic on canvas  160 x 120 cm (Larger version of this image opens in a popup).
    Haevan Lee  Installation view, Border-less.site, Culture Station Seoul 284, 2021 (Larger version of this image opens in a popup).
    Haevan Lee  Installation View, Hidden Blooming, Kumho Museum of Art, Seoul, 2025 (Larger version of this image opens in a popup).
    Haevan Lee  Mt. Geumgang, 2020  Oil, Acrylic on canvas  141.5 x 375.5 cm (Larger version of this image opens in a popup).
    [Left to Right]  Haevan Lee  The Railroad gone Mt. Geumgang, 2012  Tieback, wood frame, oil on canvas 180 x 106 cm  Civilian Control Line 1, 2012 Tieback, wood frame, oil on canvas 192.2 x 97 cm  The Border and a Frozen Stream, 2012  Tieback, wood frame, oil on canvas 165 x 148 cm  Installation view, Pyeongchang Biennale & Gangneung Folk Art Festival, 2017 (Larger version of this image opens in a popup).
    Haevan Lee  Rainbow birdcage, 2016 Oil on canvas, mask, wood frame 208.9 x 136.3 cm (Larger version of this image opens in a popup).
    Haevan Lee. Haevan Lee. Battleground Group III: Figments of melancholic soil, 2024. 
  • EXHIBITIONS


  • LIQUID MODERNITY
    Exhibitions

    LIQUID MODERNITY

    22 November 2025 - 10 January 2026

    BB&M is pleased to announce Liquid Modernity, a group exhibition featuring Jo Jae, Haevan Lee, and Sikyung Sung, three Korean painters belonging to the generation born in the final decade of the previous century. Taking its title from sociologist Zygmunt Bauman's seminal book Liquid Modernity, the exhibition presents works that register the reconfiguration of relationship between sense and matter, memory and image, capturing the affective currents of a changing era. Each artist expands the perception of an indeterminate, mutable world into a distinctive visual language, guiding viewers beyond optical experience toward moments of contemplative resonance. Collectively, the works affirm painting as a vital and relevant field of inquiry that continues to engage with the fluid conditions of the present.

     

     
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  • NEWS


BB&M | CONTEMPORARY ART GALLERY

10 SEONGBUK-RO 23-GIL

SEOUL 02879

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